Catalinbread - CSIDMAN 基于老式CD机 数字延时 单块效果器

Catalinbread CSIDMAN Glitch Stutter Digital Delay
数字延时 单块效果器 美产

CSIDMAN 是一个功能不凡的数字延时效果器，除了一般延时单块的时间，混合比反馈等功能，它还提供了闩锁功能，可以将延时片段如卡在一个时间容器里，而你可以控制这个片段的重放。 CatalinRead采用了老式CD机的概念，并将其集成到单块效果器中！

操控：

TIME ：控制延迟时间，最长可达725mS

MIX ：干湿渲染度，可以控制从100%湿到100%干。

FEED：控制反馈量。

CUTS ：剪切（与LATCH 闩锁钮一起使用）控制缓冲存储器的长度。

LATCH ：闩锁控制。当完全逆时针时，它不会跳过，允许您使用踏板作为传统的数字延迟。当顺时针方向满时，该单元被卡在重复缓冲存储器中的任何内容。在12点，这个旋钮是跳过播放状态和非跳过采样状态之间的50/50平衡。

供电：标准DC9-18V 正极  ，9V下工作电流为60ma

演示视频：

原文介绍：

Features

• TIME Controls the echo delay line’s delay time up to 725mS, as well as the rate of the glitch.

• MIX Gives you control over the wet/dry balance from 100% wet to 100% dry.

• FEED Controls the amount of feedback going back into the unit.

• CUTS (used in conjunction with the LATCH knob) controls the buffer memory length.

• LATCH controls the relative time in a cycle that the CSIDMAN is in a latching skipping state. When full counterclockwise, it doesn’t skip, allowing you to use the pedal as a traditional digital delay. When full clockwise, the unit is stuck repeating whatever is in the buffer memory. At noon, this knob is a 50/50 balance (though random) between a skip-playback state and non-skip sample state.

Yes, it's digital. Did I stutter? What are the artifacts of antiquated technologies that have merit in a musical context? Why can't we create a pedal that intentionally embraces technological limitations that musicians haven't widely utilized?

I see technology as the optimistic push through the limitations of existing paradigms: limitations in materials, processes, functionality, cost, and foresight. With each spearhead of technology, the limitations of incumbents are resolved. All too often, a slew of new issues are introduced that the marketplace is willing to overlook, at least for a short period of time. It isn’t too long before the marketplace demands better, and is willing to abandon the past and pay for the next-generation solution.

So I got to thinking, “What are the artifacts of other antiquated technologies that have merit in a musical context? If David Byrne can find a way to use Powerpoint in an artistic way, why can’t we create a pedal that intentionally embraces technological limitations that musicians haven’t widely utilized?”

返回品牌首页